Seven Mile Bridge ~ Photo of the Week

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So I’ve got a thing for bridges.

A significant part of my job involves traveling the United States, taking pictures along the way.  Besides the typical shots of the food we eat and monuments we see, I was looking to focus my “travel” work into a more cohesive theme.  I thought, “what can be found in almost every city?”  Looking back at my past work, I realized I have a fascination for man-made industrial objects, especially if they are set in a contrasting natural environment.   And thus the Bridge Project was born.

A bridge, as we commonly know, is a connection over an often dramatic obstacle.  The earliest bridges were made by nature, a simple log fallen across a creek.  The success of the Roman Empire relied heavily on their cement bridges and aqueducts that connected all roads to Rome.  The word bridge (besides the card game I’ve never figured out) is also a commonly used metaphor to describe a transitional route or phase between two times in one’s life.

I’m still in the collecting phases of the Bridge Project.  I started shooting it exclusively pinhole, mainly because I wanted to emphasize the solid foundation of the man made object and the continual flow of the natural obstacle, usually water.  Lately, I’ve been expanding the project to digital capture.   I often use a 10 stop neutral density filter over the lens to create exposures of up to 2-4 minutes during  bright sunny days when normal capture would be a fraction of a second.  I’m also utilizing the long exposures during the night to accentuate the flowing currents and clouds in the image.

Looking over last week’s images from Miami, it was this “end of the world” image of the Old Seven Mile Bridge, previously the Knights Key-Pigeon Key-Moser Channel-Pacet Channel Bridge, that won the Photo of the Week.

Constructed under the direction of Henry Flagler between 1909-1912 it was the first attempt to link the Florida mainland with the Key islands to the south and was part of the even bigger Florida East Coast Railway.  The construction employed over 4,000 men and the latest engineering innovations since this area was prime hurricane territory.  In fact, 3 hurricanes threatened the completion of the project.  When completed, it was one of the longest bridges in existence.  The total length was 35,815 feet and consisted of 335 steel girder 80-foot spans, 9,000 feet of concrete arch viaduct, and a 253-foot swing truss drawbridge span.  The Florida Overseas Railroad Bridge vied with the Panama Canal for the title of the 8th Wonder of the World.

The Railroad successfully withstood the storms and traffic until the Labor Day Hurricane of 1935, The Storm of the Century, devastated the Keys. Over 420 lives were lost, more than half were WW1 veterans who were working on the new US Highway 1 for the WPA (Works Progress Administration). Though most of the concrete sections of the Florida Overseas Railroad survived the storm, the many miles of rock-made causeways and rail beds were washed out. Thus the linkage of the keys was destroyed.
Cars were beginning to replace trains as the modern mode of transportation and the Florida East Coast Railway was financially unable to reconstruct the bridge.  At that time, the state stepped in and construction of the Overseas Highway which utilized parts of Henry Flagler’s railroad bridges was completed in 1938.   The new two lane Overseas Highway served the Keys well and successfully survived many hurricanes and brought more traffic and tourism to the Keys then ever before.  But time takes its toll and 40 years later the groundwork for the new 7 mile bridge was laid.  The new bridge is a box-girder structure built from precast, prestressed concrete sections, comprising  440 spans.  See the below images for a detail shot of the concrete sections, with pelicans, as well as the comparison of the new and  old 7 mile bridge.  The bridge arcs to 65 feet near the center to accommodate boat passage but mainly rides closer to the water surface the rest of the way.  It was finished in 1983 and the old bridge was designated for preservation by the National Register.  It no longer carries cars and sections have been removed for safety and boat passage purposes.  Now these 23 old sections are used as fishing piers or by joggers and strollers who want to take a stroll along what looks like the end of the world.

Photo of the Week ~ Hudson on ice

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Last weekend, Nancy and I took the Amtrak up to Rhinecliff, New York. The train hugs the Hudson river the whole way, and people dash onto the train to get the “river side” view. With ice floating on the river, the view was even more dramatic. I braved the cold to capture the Hudson on ice. The image was taken at the Rhinecliff dock facing Kingston with an exposure time of 8 minutes.

The return of the Photo of the Week

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Inspired by dear friends Stacy and Andy’s 2010 resolution to take an inspirational Photo of the day, I’m reinstating my photo of the week blog. Hopefully this will inspire us all to carry our camera, shoot and share more! The inaugural photo of the week was taken in New Orleans at the Sazerac club. We were all imbibing in some wonderful beverages when I noticed servers coming in and out of a surreally lit kitchen. I grabbed my camera and stood near the entranceway hoping not to get hit by the opening door and captured this.

Looking for more inspiration and access to one of the coolest locations to capture images of Lost Americana?
Joe and Troy have a few spots open to their Pearsonville Junkyard Workshops in March and April. I took this workshop last year and had an amazing time, plus I significantly built up my night photography portfolio. You have 3 full moon nights of access to amazing old cars from the 1930’s-70’s, within the backdrop of the Mojave Desert mountains. My light painting techniques became much more refined as Joe and Troy shared their knowledge and took a lot of the guesswork out of using flashes and flashlights in night photography. Check out my previous blog and images from last year.
For more information and to see Troy and Joe’s amazing images check out the Pearsonville Junkyard Night Photography/Light Painting Workshops.

The f295 21st Century Opening Weekend!

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The f295 kickoff last weekend was a huge success!  Thanks to the over 150 people who came out to Saturday night’s 21st Century Photography opening!  The work and vibe must have been reminiscent of Stieglitz‘s old Camera Club openings!  Thanks  also to all that helped put the show together:  the artists who shared their work, The Camera Club of NY who gave their 500 square feet, David, Jennifer, and Amy on the B&H organizational end ~ as well as serving up a record amount of kosher wine!  And finally, Tom Persinger, who brought us all together and had one heck of a time trying to make letters stick on walls.

Wondering what camera to document the gallery opening with, I finally settled on using my trusty Panasonic LX-3, which is an advanced digital point and shoot.  The pioneering Panasonic has a little throwback feature, it has a pinhole scene mode!  See, I told you that pinholes were enjoying a renaissance!  For some reason the pinhole mode is limited to 3MP images while applying a vignette and desaturating the image.   I know it would have been better if the lens could have come off to reveal a real pinhole over the digital sensor but hey, I wasn’t going to get everyone to stand still for 5 hours for the group shot! All the images on the left were taken in this “pinhole mode” while the right hand side shows the packed house for Sunday’s presentation at the B&H Event Space.  For the second straight year over 80 people showed up to listen and learn about new ways to use older technology.

We all struggle with keeping our art and life fresh and new.  For photographers the terms wedding, portrait, landscape, pinhole, or even alt process can all pigeonhole and limit our vision.  Tom Persinger asks us to look beyond these stereotypes and empower the 21st Century Photography:

The 21st Century Photographer remains open to the exploration and use of a variety of processes, techniques, and technologies so long as the chosen method(s) most concisely articulate their creative vision. A net result of this paradigm shift is not only complete artistic freedom but also a palpable sense of empowerment. Historically photography has marched down the long path of process obsolescence – one in which new techniques replace old in a continual cycle of progress. In a 21st Century approach, however, control is wrestled from profit driven agencies -corporations, advertisers, and the marketplace all promoting a consumptive photographic model- and given to the artist/photographer. By virtue of taking the responsibility of control, photographers allow themselves to use a pastiche of tools and materials to make pictures. It is this freedom -which is new for many- that empowers and fuels the 21st Century Photographer.

Photography is a toolbox with many means to express your vision.  Some people choose one, others need multiple instruments to complete the vision.  This weekend I saw art that was in jars, painted on, waxed, dyed, and printed on anything from the latest digital technology to handmade emulsions on a variety of surfaces from tin, glass, and paper.  The photograph that I submitted in the show was originally a 6×9 slide.  I was deciding between two basic ways to present my print:
1.  Drop it off at a lab and have them make a negative copy of my positive slide and then a C-print
2.   Scan the slide and print at home on inkjet.
Now, my good friend and constant conscience, David Brommer, stood aghast when I told him that I  I was leaning towards the lab option;  mainly for convenience as I am still not 100% confident in my inkjet printing.  I’m still most at home in the B&W darkroom.  But he reminded me that I had to control the final outcome of my image.

And really, it is all about the process ~ from start to finish.

Now did I enjoy spending close to an hour digitally removing dust from my image?
No.
Is the excitement the same as flipping over the black and white image in the developer under the red light?
Nope.
But, seeing a project from start to finish is still pretty damn fulfilling.